{"id":1225,"date":"2024-10-11T16:54:25","date_gmt":"2024-10-11T14:54:25","guid":{"rendered":"https:\/\/ssoev.de\/?page_id=1225"},"modified":"2024-11-10T21:07:00","modified_gmt":"2024-11-10T20:07:00","slug":"repertoire-2","status":"publish","type":"page","link":"https:\/\/ssoev.de\/?page_id=1225","title":{"rendered":"Repertoire"},"content":{"rendered":"\n

Flotte Melodien im Bigbandsound stehen auf dem Programm des Sachsenwald SoundOrchesters. Das Repertoire reicht vom Swingklassiker \u00fcber den hei\u00dfbl\u00fctigen Latin-Riff bis hin zum fetten Funky-Soul. Mit dieser Mischung ist das Orchester in der Lage, zu fast jeder Gelegenheit Stimmung zu machen. Ob nun auf einem Empfang, zum Tanztee oder als Platzkonzert bei Volksfesten – zu jedem Anlass wird ein passendes Programm erstellt.<\/p>\n\n\n\n

Auf Einzelw\u00fcnsche gehen wir nat\u00fcrlich jederzeit ein, wenn Sie uns buchen. Die mit „*“ gekennzeichneten Titel stellen unser Standardprogramm dar.<\/p>\n\n\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Nr<\/th>Titel<\/th>Musikstil<\/th>Tanzstil<\/th>Komponist\/Arrangeur<\/th>\n<\/tr>\n<\/thead>\n
1<\/td>88 Basie Street<\/td>Jazz<\/td>?<\/td>Sammy Nestico<\/td>\n<\/tr>\n
2<\/td>A Day In The Life Of A Fool inst<\/td>Latin<\/td>?<\/td>Luiz Bonf\u00e1<\/td>\n<\/tr>\n
3<\/td>A Foggy Day<\/td>Swing<\/td>Foxtrott<\/td>George und Ira Gershwin<\/td>\n<\/tr>\n
4<\/td>A Foggy Day Vocal<\/td>Swing<\/td>Foxtrott<\/td>George und Ira Gershwin<\/td>\n<\/tr>\n
5<\/td>A Little Blues, Please<\/td>Blues<\/td>Fox<\/td>Sammy Nestico<\/td>\n<\/tr>\n
6<\/td>Agua De Beber *<\/td>Latin<\/td>Cha-Cha-Cha<\/td>Antonio Carlos Jobim<\/td>\n<\/tr>\n
7<\/td>Alexander’s Ragtime<\/td>Ragtime<\/td>—-<\/td>Irving Berlin<\/td>\n<\/tr>\n
8<\/td>All Of Me<\/td>Swing<\/td>?<\/td>Seymour Simons and Gerald Marks<\/td>\n<\/tr>\n
9<\/td>Almost Like Being in Love *<\/td>Swing<\/td>Foxtrott<\/td>Jay Lerner, Frederick Loewe<\/td>\n<\/tr>\n
10<\/td>Alright, Okay, you win *<\/td>Shuffle<\/td>Jive<\/td>Sid Wyche, Mayma Watts<\/td>\n<\/tr>\n
11<\/td>Basin Street Blues *<\/td>Swing<\/td>—<\/td>Spencer Williams<\/td>\n<\/tr>\n
12<\/td>Bei mir bist Du Shoen<\/td>Foxtrott<\/td>Quickstep<\/td>Shonom Secunda<\/td>\n<\/tr>\n
13<\/td>Besame Mucho *<\/td>Bolero<\/td>Rumba<\/td>Consuelo Velazquez<\/td>\n<\/tr>\n
14<\/td>Birdland<\/td>Jazz Rock<\/td>?<\/td>Joe Zawinul<\/td>\n<\/tr>\n
15<\/td>Black Coffee<\/td>Blues<\/td>Rhumba<\/td>Paul Francis Webster, Sony Burke<\/td>\n<\/tr>\n
16<\/td>Blue Skies *<\/td>Swing<\/td>Slow Fox<\/td>Irving Berlin<\/td>\n<\/tr>\n
17<\/td>Blueberry Hill<\/td>Ballad<\/td>Slowfox<\/td>Al Lewis, Larry Stock, Vincent Rose<\/td>\n<\/tr>\n
18<\/td>Brazil *<\/td>Latin<\/td>Samba<\/td>S.K. Russel, Ary Barroso<\/td>\n<\/tr>\n
19<\/td>Brick House<\/td>Funk<\/td>?<\/td>Lionel Richie, Ronald LaPread, etc<\/td>\n<\/tr>\n
20<\/td>Broadway<\/td>Jazz<\/td>?<\/td>Bill Byrd, Teddy McRea, Henry Woode<\/td>\n<\/tr>\n
21<\/td>Bye Bye Blackbird *<\/td>Swing<\/td>?<\/td>Mort Dixon\/Ray Henderson<\/td>\n<\/tr>\n
22<\/td>Can t Buy Me Love *<\/td>Shuffle<\/td>Jive<\/td>John Lennon, Paul McCartney<\/td>\n<\/tr>\n
23<\/td>Cantaloupe Island<\/td>Rock<\/td>—<\/td>Herbie Hancock<\/td>\n<\/tr>\n
24<\/td>Chameleon<\/td>Funk<\/td>Discofox<\/td>Harvey Mason, Benny Maupin<\/td>\n<\/tr>\n
25<\/td>Charleston Selection<\/td>Potpourri<\/td>Charleston<\/td>diverse<\/td>\n<\/tr>\n
26<\/td>Chega De Saudade (No More Blues)<\/td>Latin<\/td>Rhumba<\/td>Antonio Carlos Jobim<\/td>\n<\/tr>\n
27<\/td>Christopher Columbus *<\/td>Swing<\/td>Foxtrott \/ Quickstep<\/td>Leon Berry<\/td>\n<\/tr>\n
28<\/td>Cold Duck Time<\/td>Rock<\/td>—<\/td>Eddie Harris<\/td>\n<\/tr>\n
29<\/td>Copacabana<\/td>Latin<\/td>Samba<\/td>Manilow, Sussmann, Feldmann<\/td>\n<\/tr>\n
30<\/td>Country Roads<\/td>Country<\/td>Foxtrott<\/td>Bill Danoff, Taddy Nivert, John Denver<\/td>\n<\/tr>\n
31<\/td>Cute<\/td>Swing<\/td>—<\/td>Neal Hefti<\/td>\n<\/tr>\n
32<\/td>Dinner For One<\/td>—<\/td>—<\/td>Peter Herbolzheimer<\/td>\n<\/tr>\n
33<\/td>Do Nothin‘ Till You Hear From Me *<\/td>Swing<\/td>Slowfox<\/td>Bob Russell, Duke Ellington<\/td>\n<\/tr>\n
34<\/td>Don’t Know Why *<\/td>Latin<\/td>Rumba<\/td>Jesse Harris<\/td>\n<\/tr>\n
35<\/td>Dream A Little Dream Of Me *<\/td>—<\/td>—<\/td>Willy Schwandt, Fabian Andre<\/td>\n<\/tr>\n
36<\/td>Evil Ways<\/td>Latin<\/td>Cha-Cha-Cha<\/td>Sonny Henry<\/td>\n<\/tr>\n
37<\/td>Eye Of The Tiger *<\/td>Rock<\/td>Discofox<\/td>Frankie Sullivan III, Jim Peterik<\/td>\n<\/tr>\n
38<\/td>Feeling Good<\/td>Rock<\/td>?<\/td>Leslie Bricusse\/Anthony Newley<\/td>\n<\/tr>\n
39<\/td>Fever<\/td>Swing<\/td>—<\/td>John Davenport, Eddie Cooley<\/td>\n<\/tr>\n
40<\/td>Final Countdown<\/td>Rock<\/td>?<\/td>Joey Tempest<\/td>\n<\/tr>\n
41<\/td>First Wish<\/td>Ballade<\/td>?<\/td>Sammy Nestico<\/td>\n<\/tr>\n
42<\/td>Flashdance… What A Feeling<\/td>Rock<\/td>Discofox<\/td>Giorgio Moroder<\/td>\n<\/tr>\n
43<\/td>Fly Me To The Moon *<\/td>Swing<\/td>Slowfox<\/td>Bart Howard<\/td>\n<\/tr>\n
44<\/td>Funkytown *<\/td>Pop<\/td>Discofox<\/td>Steven Greenberg<\/td>\n<\/tr>\n
45<\/td>Gimme Some Lovin‘ *<\/td>Rock<\/td>Discofox<\/td>Steve Winewood, Muff Winewood, Spencer Davis<\/td>\n<\/tr>\n
46<\/td>Girl Talk<\/td>—<\/td>—<\/td>Neal Hefti<\/td>\n<\/tr>\n
47<\/td>Griechischer Wein<\/td>Volkstanz<\/td>Sirtaki<\/td>Udo J\u00fcrgens<\/td>\n<\/tr>\n
48<\/td>Guantanamera<\/td>Latin<\/td>Cha-Cha-Cha<\/td>—<\/td>\n<\/tr>\n
49<\/td>Hallelujah I Love Her So *<\/td>Shuffle<\/td>—<\/td>Ray Charles<\/td>\n<\/tr>\n
50<\/td>Hamburger Veermaster<\/td>?<\/td>?<\/td>traditionel<\/td>\n<\/tr>\n
51<\/td>Hangin‘ In<\/td>Rock<\/td>—<\/td>John Edmondson<\/td>\n<\/tr>\n
52<\/td>Haus am See<\/td>Pop<\/td>Rumba<\/td>P. Baigorry, V. Graf Schlippengraf, R. M. Renner<\/td>\n<\/tr>\n
53<\/td>Hawaii Five-O-Theme *<\/td>Pop<\/td>Samba<\/td>Mort Stevens<\/td>\n<\/tr>\n
54<\/td>Here’s That Rainy Day<\/td>Ballad<\/td>—<\/td>Johnny Burke, James van Heusen<\/td>\n<\/tr>\n
55<\/td>Hit the Road Jack<\/td>Swing<\/td>Jive<\/td>Percy Mayfield<\/td>\n<\/tr>\n
56<\/td>How High The Moon<\/td>Bossa Nova<\/td>—<\/td>Morgan Lin<\/td>\n<\/tr>\n
57<\/td>I Can’t Give You Anything But Love<\/td>?<\/td>?<\/td>Jimmy McHugh, Dorothy Fields<\/td>\n<\/tr>\n
58<\/td>I Don’t Know How To Love Him<\/td>Ballad<\/td>Rumba<\/td>Andrew Lloyd Webber<\/td>\n<\/tr>\n
59<\/td>I Dream Of Jeannie<\/td>Swing<\/td>Samba<\/td>Hugh Montenegro, Buddy Kaye<\/td>\n<\/tr>\n
60<\/td>I Got You (I Feel Good) *<\/td>Rock<\/td>Discofox<\/td>James Brown<\/td>\n<\/tr>\n
61<\/td>In The Mood *<\/td>Swing<\/td>Jive<\/td>Joe Garland<\/td>\n<\/tr>\n
62<\/td>It Don’t Mean A Thing (Instr.)<\/td>Swing<\/td>Quick Step<\/td>Duke Ellington, Irving Mills<\/td>\n<\/tr>\n
63<\/td>It Don’t Mean A Thing (Vocal)<\/td>Swing<\/td>Quick Step<\/td>Duke Ellington, Irving Mills<\/td>\n<\/tr>\n
64<\/td>It’s Only A Paper Moon<\/td>Swing<\/td>Quickstep \/ Foxtrott<\/td>Harold Arlen<\/td>\n<\/tr>\n
65<\/td>Jump, Jive And Wail<\/td>Swing<\/td>Jive<\/td>Louis Prima<\/td>\n<\/tr>\n
66<\/td>Just The Way You Are *<\/td>Latin<\/td>Rumba<\/td>Billy Joel<\/td>\n<\/tr>\n
67<\/td>Knock On Wood<\/td>Rock<\/td>Discofox<\/td>Eddie Floyd, Steve Cropper<\/td>\n<\/tr>\n
68<\/td>La Paloma *<\/td>Tango<\/td>Tango<\/td>—<\/td>\n<\/tr>\n
69<\/td>Let’s Twist Again<\/td>Rock<\/td>Jive<\/td>Kai Mann, Dave Appell<\/td>\n<\/tr>\n
70<\/td>Libertango *<\/td>Latin<\/td>Tango<\/td>Astor Piazolla<\/td>\n<\/tr>\n
71<\/td>Locked out of Heaven<\/td>Rock<\/td>?<\/td>Bruno Mars, Ari Levine, Philip Lawrence<\/td>\n<\/tr>\n
72<\/td>Mack The Knife<\/td>Swing<\/td>Slow Fox<\/td>Kurt Weil<\/td>\n<\/tr>\n
73<\/td>Makin‘ Woopee<\/td>Swing<\/td>–<\/td>Walter Donaldson<\/td>\n<\/tr>\n
74<\/td>Mambo No. 5<\/td>Latin<\/td>Mambo<\/td>Damaso Perez Prado<\/td>\n<\/tr>\n
75<\/td>Martinique<\/td>Latin<\/td>?<\/td>Sammy Nestico<\/td>\n<\/tr>\n
76<\/td>Mas Que Nada *<\/td>Latin<\/td>Samba<\/td>Jorge Ben<\/td>\n<\/tr>\n
77<\/td>Matrimony<\/td>Rock<\/td>—<\/td>Gilbert O’Sullivan<\/td>\n<\/tr>\n
78<\/td>Mercy, Mercy, Mercy<\/td>Rock<\/td>—<\/td>Josef Zawinul<\/td>\n<\/tr>\n
79<\/td>Mission Impossible Theme<\/td>Rock<\/td>—<\/td>Lalo Shifrin<\/td>\n<\/tr>\n
80<\/td>Moanin‘<\/td>Medium Swing<\/td>Foxtrott<\/td>Bobby Timmons<\/td>\n<\/tr>\n
81<\/td>Morning Train *<\/td>Pop<\/td>Foxtrott<\/td>Florrie Palmer<\/td>\n<\/tr>\n
82<\/td>Moten Swing<\/td>Swing<\/td>Foxtrott<\/td>Moten<\/td>\n<\/tr>\n
83<\/td>Mr. Zoot Suit<\/td>?<\/td>?<\/td>Mark Calley<\/td>\n<\/tr>\n
84<\/td>My Favourite Things<\/td>Swing<\/td>Wiener Walzer<\/td>Richard Rodgers<\/td>\n<\/tr>\n
85<\/td>My Funny Valentine<\/td>Latin<\/td>—<\/td>Richard Rodgers<\/td>\n<\/tr>\n
86<\/td>My Girl *<\/td>Pop<\/td>Rhumba<\/td>Smokey Robinson, Ronald White<\/td>\n<\/tr>\n
87<\/td>Never Can Say Goodbye<\/td>Pop<\/td>Discofox<\/td>Clifton Davis<\/td>\n<\/tr>\n
88<\/td>Night And Day<\/td>Swing<\/td>—<\/td>Cloe Porter<\/td>\n<\/tr>\n
89<\/td>On Broadway *<\/td>Rock<\/td>Cha-Cha-Cha<\/td>Barry Mann, Cynthia Weil, Mike Stoller, Lerry Leiber<\/td>\n<\/tr>\n
90<\/td>On The Sunny Side of The Street *<\/td>Swing<\/td>Slow Fox<\/td>Jimmy McHugh<\/td>\n<\/tr>\n
91<\/td>Over The Rainbow<\/td>Ballad<\/td>—<\/td>Harold Arlen<\/td>\n<\/tr>\n
92<\/td>Oye Como Va<\/td>Latin<\/td>Cha-Cha-Cha<\/td>Tito Puente<\/td>\n<\/tr>\n
93<\/td>Pennsylvania 6-5000<\/td>Swing<\/td>Foxtrott \/ Slowfox<\/td>Carl Sigman, Jerry Gray<\/td>\n<\/tr>\n
94<\/td>Perfidia *<\/td>Latin<\/td>Rumba<\/td>Alberto Dominguez<\/td>\n<\/tr>\n
95<\/td>Prairie Dance<\/td>Latin<\/td>Samba<\/td>Maria Schneider<\/td>\n<\/tr>\n
96<\/td>Puttin‘ On The Ritz<\/td>Swing<\/td>Foxtrott<\/td>Ira Berlin<\/td>\n<\/tr>\n
97<\/td>Rock Around The Clock<\/td>Rock<\/td>Jive<\/td>Jimmy DeKnight, Max Freedman<\/td>\n<\/tr>\n
98<\/td>Route 66 *<\/td>Swing<\/td>Quickstep<\/td>Bobby Troup<\/td>\n<\/tr>\n
99<\/td>Route 66 Voc<\/td>Swing<\/td>?<\/td>Bob Troup<\/td>\n<\/tr>\n
100<\/td>Satin Doll<\/td>Swing<\/td>Foxtrott<\/td>Duke Ellington, Johnny Mercer, Billy Strayhorn<\/td>\n<\/tr>\n
101<\/td>Schiwagomelodie<\/td>Ballad<\/td>Wiener Walzer<\/td>Maurice Jarre<\/td>\n<\/tr>\n
102<\/td>Schuld war nur der Bossa Nova *<\/td>Bossa<\/td>Cha-Cha-Cha<\/td>Manuela<\/td>\n<\/tr>\n
103<\/td>September<\/td>Funk<\/td>Cha Cha<\/td>Maurice White, Al McKay, Allee Willis<\/td>\n<\/tr>\n
104<\/td>Shallow<\/td>Easy Rock<\/td>?<\/td>Stefani Germanotta, Mark Ronson, Andrew Wyatt, Anthony Rossomando<\/td>\n<\/tr>\n
105<\/td>Shiny Stockings *<\/td>Swing<\/td>Foxtrott<\/td>Frank Foster<\/td>\n<\/tr>\n
106<\/td>Sidewinder<\/td>Bop<\/td>?<\/td>Lee Morgan<\/td>\n<\/tr>\n
107<\/td>Smoke on the Water<\/td>Rock<\/td>Fox<\/td>Gilmore<\/td>\n<\/tr>\n
108<\/td>Smooth Operator<\/td>Pop<\/td>Discofox<\/td>Helen Adu, Ray St. John<\/td>\n<\/tr>\n
109<\/td>Someday you will be sorry!<\/td>Swing<\/td>Foxtrott<\/td>Louis Amstrong<\/td>\n<\/tr>\n
110<\/td>Something Stupid<\/td>Pop<\/td>—<\/td>Carson Parks<\/td>\n<\/tr>\n
111<\/td>Son Of A Preacher Man *<\/td>Pop<\/td>Freestyle<\/td>Roony Wilkins, John Hurley<\/td>\n<\/tr>\n
112<\/td>Soul Bossa Nova *<\/td>Latin<\/td>Tango<\/td>Quincy Jones<\/td>\n<\/tr>\n
113<\/td>Splanky<\/td>Blues<\/td>—<\/td>Neal Hefti<\/td>\n<\/tr>\n
114<\/td>St. Louis Blues<\/td>Jazz<\/td>?<\/td>Sammy Nestico<\/td>\n<\/tr>\n
115<\/td>St. Thomas<\/td>Latin<\/td>Samba<\/td>Sonny Rollins<\/td>\n<\/tr>\n
116<\/td>Stand By Me<\/td>Rock<\/td>Rumba<\/td>Ben E. King, Jerry Leiber, Mike Stoller<\/td>\n<\/tr>\n
117<\/td>Stolen Moments<\/td>Medium Swing<\/td>Slowfox<\/td>Oliver Nelson<\/td>\n<\/tr>\n
118<\/td>Strangers In The Night<\/td>Swing<\/td>Rumba<\/td>Bert Kaempfert<\/td>\n<\/tr>\n
119<\/td>Street Life *<\/td>Funk<\/td>Discofox<\/td>Will Jennings, Joe Sample<\/td>\n<\/tr>\n
120<\/td>Sugar<\/td>Jazz<\/td>?<\/td>Stanley Turrentine<\/td>\n<\/tr>\n
121<\/td>Sunny<\/td>Pop<\/td>Discofox<\/td>Bobby Hebb<\/td>\n<\/tr>\n
122<\/td>Surfin USA<\/td>Rock<\/td>—<\/td>Chuck Berry<\/td>\n<\/tr>\n
123<\/td>Sway *<\/td>Latin<\/td>Cha-Cha-Cha<\/td>N. Gimbel, P. B. Rulz<\/td>\n<\/tr>\n
124<\/td>Sway II<\/td>Latin<\/td>Cha Cha<\/td>Pablo Beltran Ruiz<\/td>\n<\/tr>\n
125<\/td>Swing Street<\/td>Swing<\/td>Quickstep<\/td>Maria Schneider<\/td>\n<\/tr>\n
126<\/td>Tea For Two<\/td>Latin<\/td>Cha-Cha-Cha<\/td>—<\/td>\n<\/tr>\n
127<\/td>The American Patrol<\/td>Swing<\/td>?<\/td>F. W. Meacham<\/td>\n<\/tr>\n
128<\/td>The Chicken<\/td>Funk<\/td>?<\/td>Alfred James Ellis<\/td>\n<\/tr>\n
129<\/td>The Creole Love Call<\/td>Swing<\/td>—<\/td>Duke Ellington<\/td>\n<\/tr>\n
130<\/td>The Fool On The Hill<\/td>Latin<\/td>—<\/td>John Lennon, Paul McCartney<\/td>\n<\/tr>\n
131<\/td>The Frim Fram Sauce<\/td>Swing<\/td>?<\/td>Joe Ricardel, Redd Evans<\/td>\n<\/tr>\n
132<\/td>The Girl From Ipanema<\/td>Latin<\/td>Rumba<\/td>Antonio Carlos Jobin<\/td>\n<\/tr>\n
133<\/td>The Look of Love *<\/td>Latin<\/td>Rumba<\/td>Burt Bacharach<\/td>\n<\/tr>\n
134<\/td>The Nearness of You<\/td>Balade<\/td>?<\/td>Ned Washington, Hoagy Carmichael<\/td>\n<\/tr>\n
135<\/td>The Night Has Come<\/td>Funk<\/td>Discofox<\/td>Thomas Krakowczyk<\/td>\n<\/tr>\n
136<\/td>The Theme From New York, New York<\/td>Swing<\/td>Slow Fox<\/td>John Kander<\/td>\n<\/tr>\n
137<\/td>The Wellerman<\/td>?<\/td>?<\/td>Traditional<\/td>\n<\/tr>\n
138<\/td>They Can’t Take That Away From Me *<\/td>Swing<\/td>Foxtrott<\/td>George Gershwin, Ira Gershwin<\/td>\n<\/tr>\n
139<\/td>This Masquerade *<\/td>Latin<\/td>Rumba<\/td>Leon Russell<\/td>\n<\/tr>\n
140<\/td>Thriller *<\/td>Rock<\/td>Discofox<\/td>Rod Temperton<\/td>\n<\/tr>\n
141<\/td>Tico, Tico<\/td>Latin<\/td>Tango<\/td>Z\u00e9quinha Abreu<\/td>\n<\/tr>\n
142<\/td>Tiger Rag *<\/td>Foxtrott<\/td>Polka<\/td>—<\/td>\n<\/tr>\n
143<\/td>Time After Time<\/td>Rock<\/td>Discofox<\/td>Lauper \/ Hymann<\/td>\n<\/tr>\n
144<\/td>Too Close For Comfort<\/td>Swing<\/td>Quickstep<\/td>Jerry Bock, Laeey Hohofcener, George David Weiss<\/td>\n<\/tr>\n
145<\/td>Tuxedo Junction *<\/td>Swing<\/td>Quickstep<\/td>Erskine Hawkins, William Johnson, Julian Dash<\/td>\n<\/tr>\n
146<\/td>Una Mas<\/td>Latin<\/td>—<\/td>Kenny Dorhan<\/td>\n<\/tr>\n
147<\/td>Valerie *<\/td>Pop<\/td>Discofox<\/td>Payne, McCabe, Harching, Prichardt<\/td>\n<\/tr>\n
148<\/td>Well You Needn’t<\/td>?<\/td>?<\/td>Thelonious Monk<\/td>\n<\/tr>\n
149<\/td>When I Fall In Love<\/td>Swing<\/td>—<\/td>Victor Young<\/td>\n<\/tr>\n
150<\/td>When The Saints<\/td>Marsch<\/td>—<\/td>—<\/td>\n<\/tr>\n
151<\/td>Why Don’t You Do Right<\/td>Swing<\/td>Slowfox<\/td>Joe McCoy<\/td>\n<\/tr>\n
152<\/td>Y.M.C.A.<\/td>Pop<\/td>Discofox<\/td>Jacques Morali, Henri Belolo<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Flotte Melodien im Bigbandsound stehen auf dem Programm des Sachsenwald SoundOrchesters. Das Repertoire reicht vom Swingklassiker \u00fcber den hei\u00dfbl\u00fctigen Latin-Riff bis hin zum fetten Funky-Soul. Mit dieser Mischung ist das […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":29,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1225","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"admin","author_link":"https:\/\/ssoev.de\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Flotte Melodien im Bigbandsound stehen auf dem Programm des Sachsenwald SoundOrchesters. Das Repertoire reicht vom Swingklassiker \u00fcber den hei\u00dfbl\u00fctigen Latin-Riff bis hin zum fetten Funky-Soul. Mit dieser Mischung ist das […]","_links":{"self":[{"href":"https:\/\/ssoev.de\/index.php?rest_route=\/wp\/v2\/pages\/1225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ssoev.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ssoev.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ssoev.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ssoev.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1225"}],"version-history":[{"count":0,"href":"https:\/\/ssoev.de\/index.php?rest_route=\/wp\/v2\/pages\/1225\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/ssoev.de\/index.php?rest_route=\/wp\/v2\/pages\/29"}],"wp:attachment":[{"href":"https:\/\/ssoev.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}